Technologies of Seduction Essays -- Seduction Cinematic Body Film Essa

Technologies of Seduction at that place can be no question of escaping the twisted logic of divinatory writing there are only different ways of orgasm to terms with it. (Shaviro 11)Blind Beast (Masumura Yasuzo 1969), Ghost in the Shell (Ohii Mamoru 1995), and gimpy Away (Miyazaki Hayao 2001) sustain the resemblance between the body and technology its imposing horror is its seduction. Captured bodies cut, cybernetic bodies hacked, and fattened bodies served. These three films all capture the ravisher and take us to another place, and even in the seduction of example unsounded as events (the theory-fiction of film analyses), such films can be understood as narratives, images, and sounds of losing the self in the moment, an abandon to seduction that constitutes a relation between technologies and bodies. The terrific is the pleasure of the seduction, and the horrific the unavoidable and, indeed, necessary fear felt in falling into the utterly convincing and charming ladies m ans reality. Steven Shaviros theory of film fatale offers a thorough billhook of what sustains and characterizes the relationship Friedrich Kittler describes between body and technology Wherever media were unable to connect, mankind interfaces filled the niche.What is seduction? To answer this question would be to work productively, a principle of production that is very much oppositional to seduction. Seduction is something like public opinion or convincing, but does not work at a train of cognition. The cinematic image is at once intense and impalpable. On the single hand, film (even more than other visual forms, and in sharp channel to the articulations of language) is inescapably literal. Images confront the viewer directly, with... ... the same level of suspicion as the productive and representational. The salvation, then, of this argument, a string of mediations that claim to produce an effect on discourse or understanding, is in its denied seductive ulterior. A n allurement that occurs just where it is not spoken of, and for just the reasons that remain unsaid. Theory against itself is here a nigh cunning seduction.WORKS CITEDCarpenter, Novella. Avant-Prof. An Interview with Steven Shaviro. Alt-X Press. Dec. 11, 2002. http//www.altx.com/int2/steven.shaviro.htmlCreed, Barbara. Horror and the Monstrous-Feminine an Imaginary Abjection. in Jancovich, ed., Horror, The submit Reader. New York Routledge, 2002.Haraway, Donna. Simians, Cyborgs, and Women. London Free Association, 1990.Shaviro, Steven. The Cinematic Body. Minneapolis University of Minnesota Press, 1993.